SchirmerGraf Verlag, August 2008, 256 pp.
ISBN: 978-3-86555-057-6Author&RightsDie Freibadclique
is a short and sharp novel about the ‘class of 29’, a group of German boys who are fifteen years old in 1944, the very youngest group to be drafted into the Nazi war effort in an atmosphere of political chaos, poor military training and sinking morale. The action starts in the late summer of that year. The Russians are at the gates of Warsaw, the Western Allies are nearing Aachen, and a gang of five adolescents hang around the local outdoor swimming pool lusting after a pretty young woman called Lore, as boys are wont to do. Soon they will be called up to military service. A year later, when the war has been lost, only two of them (the narrator and his friend Bubu) return to school.
Although offered as fiction, the book is based closely on the experiences of author Oliver Storz, who also turned fifteen in the small town Schwäbisch Hall in 1944, and was also conscripted into the German armed forces. It is a coming-of-age novel in which we know pretty much from the outset that few of the participants will have an adult life. The narrator tells us bluntly at the very beginning that one of the boys, nicknamed Zungenkuss, will be dead eight weeks later. Another, Knuffke, a war-orphan from the heavy bombings on Berlin, will stay with us through most of the novel’s course, but we are warned of his imminent death, too.
The atmosphere of the novel is that of disillusionment, melancholy, and even tragedy. Knuffke is murdered because of his involvement in black-market dealings and murky Allied-German relations at the end of the war. The beautiful dental nurse Gunda tells the passion-struck narrator how she has made herself sexually available to men to save her skin on the Polish-German border. And the narrator himself, when he finds that he does not have the will and courage to avenge Knuffke’s death through yet another murder, strikes the final note of lost idealism and innocence.
This story brings out fresh notes. The crisp dialogue and the depiction of the nebulous world of adolescence work well. Memoir or closely observed piece of fiction, the book carries a sense of authentic experience that brings it thoroughly alive.‘A youth spent in Germany, in gleaming, bright prose. From the street, to the lido, to the front. Brilliant.’
– Alexander Gorkow, Süddeutsche Zeitung#