On Pop Music
Über Pop-Musik

diedrich diederichsen ueber pop musik
Kiepenheuer & Witsch
March 2014 / 460pp
  • Shortlisted for the Leipzig Book Fair Prize 2014

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In this seminal and controversial book, Diederichsen (known in Germany as ‘the pope of pop’ and ‘the bookkeeper of subculture’) blends academic criticism with a distinctively individual exploration of pop music. Drawing on semiotics and sociology, on past and present popular culture, and on related art forms such as jazz, cinema and opera, Diederichsen looks beyond the music to construct pop as an aesthetic category. In doing so, he emphasises the role of listeners, dancers and audiences as actors who create the system ‘pop.’ 

Diederichsen makes it clear that he expects his opus magnumto be the cornerstone of a new science of pop music, separate from musicology. For him, pop is a space for aspiration, community and the breaking of taboos, and therefore particularly pertinent for the post-war generation. His line of reasoning is defined by associative thinking rather than structured discussion of his subject matter, and he skips gracefully from poststructuralist ideas to personal anecdotes. The book is a treasure trove that holds numerous rewards, particularly for those interested in the future of electronic music and rituals. 

Diederichsen is a key figure in pop-cultural studies and his writings are theoretically and stylistically groundbreaking. On Pop Music is an outstanding work and was shortlisted for the Leipzig Book Fair Prize this year.

about the author

Diedrich Diederichsen was born in 1957 and has made a name for himself since the 1980s as both a versatile and astute theorist of pop, politics, and contemporary art. He teaches at various universities, including the Academy of Fine Arts in Vienna, where he has taught since 2006. He lives in Berlin and Vienna. Über Pop-Musik was shortlisted for the Leipzig Book Prize 2014.

Previous works include:
Sexbeat (2002); Eigenblutdoping (2008), Musikzimmer (2005); Martin Kippenberger (2008); Politische Korrekturen (1996)

rights information

Translation rights sold to:
Netherlands (Leesmagazijn)

Translation rights available from:
Verlag Kiepenheuer & Witsch GmbH & Co. KG
Bahnhofsvorplatz 1
50667 Köln, Germany
Contact: Iris Brandt /Aleksandra Erakovic
Tel: +49 (0) 221 376 8522
Email: ibrandt@kiwi-verlag.de /

Kiepenheuer & Witsch was founded in 1949 and was an independent publishing house until 2002, when it became part of the Holtzbrinck Group. A new imprint, Galiani Berlin, was founded in 2009. KiWi is one of the leading German publishing houses and is known for a broad list of German-language and international authors. KiWi focuses on accessible literature, (bestselling) commercial fiction, including crime, women’s fiction etc. and contemporary non-fiction titles that often have an impact on political/societal debates. Its authors include Maxim Biller, Michael Kumpfmüller, Christian Kracht, Eva Menasse, E.M. Remarque, Uwe Timm as well as Julian Barnes, Dave Eggers, Jonathan Safran Foer, Nick Hornby, Gabriel García Márquez, Zadie Smith – to name a few.

translation assistance

Applications should be made to the Goethe-Institut.

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