Unharmed: Women and Pain
Unversehrt: Frauen und Schmerz

HarperCollins Germany
October 2024 / 256pp
Non-Fiction

review

‘Unharmed’ explores the multifaceted relationship between women and pain, blending personal narratives, historical analysis, and scientific insights.

Biringer starts by sharing the story of her grandmother’s ongoing physical and emotional pain, using it as an example of how women’s suffering has historically been ignored or silenced. She reflects on how generational trauma and societal expectations have contributed to the invisibility of female pain, which is all too often dismissed or misdiagnosed in both medical and social settings.

The book considers the ways in which pain has been inflicted upon women through systems of control, from medieval witch hunts to contemporary medical practices that downplay women’s symptoms. Biringer critiques the gender biases in medicine, where women’s pain is frequently attributed to emotional instability rather than physical causes, and examines how this inequity has contributed to the widespread misuse of sedatives and antidepressants among women, often leading to severe addiction problems.

Biringer also underscores societal pressure on women to endure pain in silence, a notion reinforced by cultural narratives and religious teachings. The chapter entitled ‘Reclaim the Pain’ calls on women to speak out about their pain and challenge the systems that invalidate their experiences. The book also looks at how women’s pain is commodified in culture and art, questioning whether such portrayals empower women or reinforce harmful stereotypes.

Throughout the text, Biringer incorporates scientific perspectives on the physiological and psychological aspects of pain, exploring topics like epigenetics, stress, misogyny, and the gender pain gap. She stresses the importance of empathy and systemic change to ensure that women’s pain is recognized and taken seriously.

Ultimately, ‘Unharmed’ aims to empower women to reclaim their pain narratives, encouraging society to acknowledge their experiences and dismantle the stigma surrounding female suffering. It blends storytelling with critical analysis, advocating for a future where women’s voices and pain are heard and validated.

Building on the tradition of such classic feminist titles as Naomi Wolf’s The Beauty Myth (1990), this timely, relevant work will speak to a wide audience.

press quotes

Eva Biringer’s Unversehrt is a profound exploration of women’s pain, blending personal narrative with cultural critique. It sheds a much-needed light on how societal and medical systems fail to validate women’s experiences. This is a book that will resonate deeply with readers everywhere.

Elena Kapshutar

“Not a very long book, but an expansive one, enriched with numerous details and facts; the author, who studied art history, takes a broad approach to her subject.”

Frankfurter Rundschau

“[…] a plea to take women and their pain seriously at last.”

Emma

“Inspired by her grandmother, […] Biringer has decided to give pain a voice. In a most impressive way.”

der 20er

“A tightly-packed, outstandingly researched journey through violence against women, and female pain and suffering.”

Buchkultur

about the author

© Vincent Bauer

Eva Biringer was born in 1989 in Albstadt-Ebingen and studied Art History and Theatre. A freelance author, she writes on style and cultural issues for publications including Die Welt am Sonntag, Zeit Online, Die Welt, Der Standard, Tagesspiegel and Berliner Zeitung. Her first book, Unabhängig (‘Independent’), in which she explores why emancipated women, of all people, drink so much alcohol today, was published by HarperCollins in 2022. She lives in Vienna and Berlin.

Previous works: Unabhängig, Verlagsgruppe HarperCollins Deutschland GmbH, 2022.

Find out more: https://evabiringer.de/, https://www.instagram.com/evaperla.

rights information

HarperCollins Germany

Contact: Katharina Depken

katharina.depken@harpercollins.de

https://www.harpercollins.de/

translation assistance

Applications should be made to the Goethe-Institut.

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